Flamencos-enroute

deutsch | english | español

àMiró

Ludwigsburger Kreiszeitung

(...) Merki and her ensemble transcend the boundaries between various art forms. Dance, music, painting, and poetry are combined and form a new entity, an independent work of art. (...)

Arnim Bauer, Ludwigsburger Kreiszeitung, 10.01.2018

Esslinger Zeitung

original in German

(...) Very different from Merki's earlier productions, «àMiró» combines painting, music, and dance in a dark synesthesia and stimulates the senses as well as the spirit, thus following Miró's own motto: "One thing transitions into another. Everything is part of one entity." Once again, the Swiss choreographer and her intelligent art full of allusions elevate the flamenco to a new level.

Angela Reinhardt, Esslinger Zeitung, 09.01.2018

Stuttgarter Zeitung

original in German

(...) In «àMiró», each individual Flamencos en route performer is an enthusiastically celebrated soloist until the ensemble concludes its homage to Catalan artist Joan Miró in a furioso finale. (...)

Brigitte Jähnigen, Stuttgarter Zeitung, 01.01.2018

Du - Die Zeitschrift für Kultur August/September 2017, Tanz - ein Lebensgefühl

original in German

Ursula Pellaton, Du - Die Zeitschrift für Kultur August/September 2017, Tanz - ein Lebensgefühl, 11.09.2017

Der Bund

original in German

Marianne Mühlemann, Der Bund, 23.12.2016

Der Bund

original in German

Gisela Feuz, Der Bund, 15.12.2016

Wynentaler Blatt

original in German

Evelyn Pesentheiner, Wynentaler Blatt, 02.12.2016

andá

original in German

Sonja L. Bauer, andá, 01.12.2016

Aargauer Zeitung

original in German
An Amalgamation
(...) Every member of Flamencos en route is brilliant and stands out whether s/he performs individually or in the ensemble. (...)

Ursula Burgherr, Aargauer Zeitung, 28.10.2016

Kanal K

original in German

Anita Huber, Kanal K, 27.10.2016

Neue Zürcher Zeitung

original in German
Like a Painter with Her Paintbrush
(...) The choreographer harmonically intertwines two art forms - dance and painting - without ever creating a product that appears artificial. The dancers' convincing performances contribute to this effect, of course. (...)

Isabelle Jakob, Neue Zürcher Zeitung, 27.10.2016